MarkTheSpark
Senior Member
That's just about right. Reflected light waves are like wiggly lines, if you like, but orientated in differing directions depending on the surface they are reflected from; in other words, some waves are moving up and down, some side to side, and all the angles in between. Polarising filters selectively remove light travelling in a certain plane, like THIS The diagram shows a linear polariser, aligned horizontally, cutting out all but the vertical waveforms. Think of it as a venetian blind, if you like. To cut out light reflected from water (which is what you want to take pictures of fish) you have to line the filter up accordingly. That's why linear polarisers have rotating mounts.
A circular polariser has a secondary layer to reorientate the light so the meter and autofocus can work better. But they will give strong colour saturation, which is the most impressive and useful effect for most photographers.
Regards ND filters, with the range of ISO and shutter speeds available to digital cameras, they shouldn't be necessary; you can always use a polariser as a 1-stop ND! They were to help in the old film days when you have a half-used 400ASA in and needed to slow things down a bit. Now, you just change ISO. I can see there may be some creative effects you might get with ND, but it would rank very low on my priorities.
---------- Post added at 09:25 ---------- Previous post was at 09:22 ----------
Oh, I forgot to cover grad filters. These only introduce a graduated tint or ND and the same effect can be duplicated by layering in Photoshop. Actually, the effect can be much, much better in PS
A circular polariser has a secondary layer to reorientate the light so the meter and autofocus can work better. But they will give strong colour saturation, which is the most impressive and useful effect for most photographers.
Regards ND filters, with the range of ISO and shutter speeds available to digital cameras, they shouldn't be necessary; you can always use a polariser as a 1-stop ND! They were to help in the old film days when you have a half-used 400ASA in and needed to slow things down a bit. Now, you just change ISO. I can see there may be some creative effects you might get with ND, but it would rank very low on my priorities.
---------- Post added at 09:25 ---------- Previous post was at 09:22 ----------
Oh, I forgot to cover grad filters. These only introduce a graduated tint or ND and the same effect can be duplicated by layering in Photoshop. Actually, the effect can be much, much better in PS
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